“Celia Cruz live: 100 years of sugar,” the singer's unreleased record, kicks off her centenary festivities.

The beginning of the celebrations for the singer’s centenary includes the release of the album “Celia Cruz live: 100 years of sugar,” which marks the beginning of the celebrations. Omer Pardillo, who is the executor of her legacy, in an interview to CNN in which he discusses the process by which they discovered the unpublished material that was utilized to construct the album, as well as the preparations to celebrate the “Queen of Salsa.”

EFE was informed by Loud And Live Studios, the producer of the project, that the new album by the so-called Guarachera de Cuba will be titled “Celia Cruz live: 100 years of sugar.” This album is a commemorative album for the centenary of the singer’s birth, and it will comprise recordings that have not been released before.

The album, which will be released next Friday in both physical and digital formats, is comprised of nine songs that were recorded live at a Miami performance venue in south Florida between the years 1986 and 1987. These songs had been archived prior to their release.

“Celia only released one live album throughout her entire career, which makes these recordings even more valuable,” he pointed out. In addition to being one of the CD’s producers, Omer Pardillo-Cidlast is also the universal executor of Celia Cruz’s legacy. He is also the spokesperson of Celia Cruz.

“Quimbara,” “Bemba colora,” “My happiness,” and “Your voice” are just few of the legendary songs that are featured on this album, which features the artist who has won three Grammy Awards and four Latin Grammy Awards. However, these songs are performed in completely new renditions.

In addition to Albertico Rodriguez, Nelson Albareda, who is the president of the concert promoter Loud And Live, is also a member of the team of executive producers for this recording endeavor. A sound engineer by the name of Pedro “Waldy D” Dominguez was responsible for the restoration and “remastering” of the recordings.

My roots, my ancestry, and my own soul as a human being are all celebrated by this music, which I am proud to say is Cuban-American.The birth of an artist such as Celia occurs once every hundred years, and that is just what we are taking pleasure in commemorating.It was said by Albareda in a statement.

In addition to being accessible via digital platforms, the record will also be made available for purchase on vinyl and in limited editions that will come with a book including one hundred images and collecting plates.

The Celia Cruz Foundation is coming up with a series of activities to commemorate the centenary of the birth of the Cuban musician, which will begin in October of the following year and will continue until the end of the year 2025. One of these activities is the production of this album.

In particular, the United States Treasury Department will issue a 25-cent coin with the artist’s face on it in the month of August of the next year. The artist was one of the four picked this year for the American Women’s Quarter program, which is a federal initiative.

EFE was informed by Loud And Live Studios that the new album by the so-called Guarachera de Cuba will be titled “Celia Cruz live: 100 years of sugar.” This album will be a commemorative album for the centenary of the singer’s birth and will include recordings that have not been released before.

The album, which will be released tomorrow, Friday, May 24, in both physical and digital formats, is comprised of nine songs that were recorded live in a performance venue in Miami, which is located in southern Florida (USA), between the years 1986 and 1987. These recordings had been archived until after the album was released.

The fact that Celia Cruz only ever issued a single live album throughout her whole career makes these recordings even more precious, according to Omer Pardillo-Cid, who is not only one of the CD’s producers but also Celia Cruz’s final representative and universal executor of her legacy.

There are a number of iconic songs that are featured on the album, including “Quimbara,” “Bemba Colorá,” “La Dicho Mía,” and “Tu Voz,” which were performed by the recipient of three Grammy Awards and four Latin Grammy Awards. These songs are rendered in completely new renditions.

Nelson Albareda, who is the president of the concert promoter Loud And Live, and Albertico Rodríguez are the members of the team of executive producers that are responsible for this recording production. The restoration and remastering of the recordings was the responsibility of Pedro ‘Waldy D’ Domínguez, who was the sound engineer responsible for the project.

“This song honors my roots, my ancestry, and the core of who I am as a human being on account of the fact that I am Cuban-American. Celia is an artist who is born once every one hundred years, and that is precisely what we are commemorating,” Albareda said in a statement released by the organization.

In addition to being accessible via digital platforms, the record will also be made available for purchase on vinyl and in limited editions that will include a book containing one hundred images as well as collector’s prints respectively.

It is part of the series of events that the Celia Cruz Foundation is organizing to honor the centennial of the birth of the Cuban woman, which will begin in October of the following year and will continue until the end of the year 2025. The release of this album is one of the actions that part of the series.

In particular, the United States Treasury Department will unveil a 25-cent coin featuring the artist’s portrait in August of the following year. The artist was one of the four individuals chosen to participate in the American Women Quarter federal program during this year.

Celia Cruz, a Cuban singer, was the undisputed star of the salsa scene for a period of sixty years. The National Museum of American History in Washington, District of Columbia, is now hosting a retrospective exhibition that focuses on her life and the colorful career she had.

“It is as if the earth opened her mouth to talk and to sing.” The impact of Cruz’s song is described to Felix Contreras in this manner by Marvette Perez, who is the curator of Latino history and culture at the museum.

And her appearance was consistent. A significant component of the display is comprised of the “bigger than life clothes” that Cruz favored. It is a kind of dress known as bata Cubana, which is used by rumba dancers. It is characterized by long, ruffled trains and billowing sleeves. The gowns that are on show are variants on this common theme. The style is a combination of Spanish colonial and Afro-Cuban influences, and it is completely vibrant.

Cruz left Cuba in 1960, under the impression that she would eventually return. Next, she made the decision to make her home in the United States. The Castro regime did not permit her to return for the funeral of her mother, who had passed away two years before.

In the 1970s, while she was working with an independent label named Fania, she discovered the style that would come to define the rest of her career. Ruben Blades, Ray Barretto, Johnny Pacheco, and Hector Lavoe were among the highly skilled individuals who were a part of the Fania All Stars. Celia Cruz gained the respect of both its players and its fans during this time period, which was also the time when the name “salsa” was first used.

Celia Cruz’s life and music are the subject of the exhibition, which is titled “Azucar.” The word “azucar” literally means “sugar,” but as Perez points out, Cruz used it as a “battle cry” and made a reference to the African slaves who toiled on Cuba’s sugar plantations.

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